I've spent today feeling hopelessly without purpose after a series of social interactions which only served to play on my paranoia and feelings of inadequacy, and non responses from people I've contacted.
I also spent the day watching zombie flicks, as you do, when you need cheering up.
"Carriers" was okay, but certainly didn't blow me away or anything - not that I wasn't grateful for some Chris Meloni screen time, unfortunately it was only for half the movie. It was one of those films where the sheer stupidity of the characters left you wishing they would just die anyway.
"La Horde" was better, I liked that in the end (SPOILER!) everyone dies, although I had a feeling this would be the case when the main character was stranded on the roof of a car with nothing but a machete and an endless throng of marauding zombies surrounding him, you know when the main character is left without hope, then the rest of them can kiss sweet fanny adams goodbye by the end aswell.
"Mutants" I enjoyed immensely, watching the character Marcus's slow degradation as he succumbed to the effects of the virus made me feel incredibly queezy - and whilst some of the on line reviews seem to complain about how the film slows down at this point, this was the part I found most compelling and genuinely scary.
I used to believe that love conquered all - and I'm slowly having to deal with the fact that it doesn't, and given that it doesn't - What hope does that give me when the zombie apocalypse comes, and all I'm left with to survive are my heart, a potato masher and a lint brush.
Trying to make sense of it all through observations, insights and self indulgences
Monday, November 8, 2010
Wednesday, October 27, 2010
Music Dreams
So sometimes I dream about a piece of music that doesn't exist - Like once I dreamt I was caught in a house in a tornado, and the debris flying around outside had smashed all the windows and the wind blew this 12 inch double pack through the broken window. It was an EP by Fade (Chris Fortier and Neil Kolo). It was 4 different instrumental tracks, one on each side of the 2 discs - it was a full release, not a promo, with a beautiful printed green sleeve. I had this dream in 1997 when Fade were at their absolute peak (IMHO) and I was excited beyond words that the universe had delivered this double pack to me, and I couldn't wait for the tornado to end so I could listen to the tracks - I never got that far though. I was pretty devastated when I woke up and suddenly this Fade double pack EP was no longer in my life.
I also remember one where I was second hand record shopping and found a promo of "Holly" by Republica that had a 13 minute extended mix based on the Full Mix, and a dub. It even came in that distinctive Deconstruction records yellow promo sleeve with the rounded corners - and again I was pretty crushed when I woke up.
Well I just had another one. In the dream it was 1992, and I was living with my current flatmate and an old and dear friend, whom in reality I'm reluctantly not in contact with anymore. My flatmate had just bought 300 pills (!) and we were organising stuff for the weekend, we were total weekend warriors. So anyway whilst we are organising everything I am also reading a magazine - it was kind of like DJ mag was in 1992, but it wasn't DJ mag - and the track that was at the top of all the buzz charts was this track by U2, but it was a remix by Todd Terry. As I was reading, the track was also playing on the stereo - I can't recall a single bar of it now, but it was awesome, REALLY awesome - the chorus was something along the lines of 'I'll be there for you' and the remix used the full vocal, and it had this big Euro-style bass-line like the one in "Rhythm Is A Dancer" and was the most uplifting thing you'd ever heard in your life. I just woke up from this dream - I wish I could remember how the actual song went. . .
I also remember one where I was second hand record shopping and found a promo of "Holly" by Republica that had a 13 minute extended mix based on the Full Mix, and a dub. It even came in that distinctive Deconstruction records yellow promo sleeve with the rounded corners - and again I was pretty crushed when I woke up.
Well I just had another one. In the dream it was 1992, and I was living with my current flatmate and an old and dear friend, whom in reality I'm reluctantly not in contact with anymore. My flatmate had just bought 300 pills (!) and we were organising stuff for the weekend, we were total weekend warriors. So anyway whilst we are organising everything I am also reading a magazine - it was kind of like DJ mag was in 1992, but it wasn't DJ mag - and the track that was at the top of all the buzz charts was this track by U2, but it was a remix by Todd Terry. As I was reading, the track was also playing on the stereo - I can't recall a single bar of it now, but it was awesome, REALLY awesome - the chorus was something along the lines of 'I'll be there for you' and the remix used the full vocal, and it had this big Euro-style bass-line like the one in "Rhythm Is A Dancer" and was the most uplifting thing you'd ever heard in your life. I just woke up from this dream - I wish I could remember how the actual song went. . .
Monday, October 18, 2010
Gender Logistics
So I had somehow body-swapped with this woman - it wasn't a permanent arrangement, it was more like we were taking a holiday in each others body. I was standing at the sink in the bathroom of the house I grew up in - it was a rather luxurious bathroom, it was carpeted, and one whole wall was covered in mirrored tiles - and I was looking at my new form in the wall of mirrors. This woman's body I was in had a massive conehead - I was playing with my hair trying to devise a way to hide my new massive forehead, as she wore her hair tied back and I considered it quite unflattering. I decided I was going to cut a fringe in and cut the rest of it short and bleach it so I would like Marilyn Monroe (not that she had a fringe, but that kind of length). Of course, if I was really borrowing someone else's body I would never entertain making such drastic changes to it, but in my dream I was quite unfazed about giving her a radical makeover before giving her body back.
As I was picturing my new hairstyle - I realised that I didn't know how to apply makeup, and I was going to need to learn straight away because I had no intention of rocking some plain jane look, but I thought I would shower first so I could get started bleaching my hair. It was then I realised, Oh wait, I have a vagina - am I supposed to wash it when I have a shower? I don't imagine it will respond too well to being lathered in soap, but am I supposed to get all up inside it with the water? It dawned on me that I was going to have to ask someone - "How do I wash my vagina?"
Awkward.
As I was picturing my new hairstyle - I realised that I didn't know how to apply makeup, and I was going to need to learn straight away because I had no intention of rocking some plain jane look, but I thought I would shower first so I could get started bleaching my hair. It was then I realised, Oh wait, I have a vagina - am I supposed to wash it when I have a shower? I don't imagine it will respond too well to being lathered in soap, but am I supposed to get all up inside it with the water? It dawned on me that I was going to have to ask someone - "How do I wash my vagina?"
Awkward.
Friday, October 15, 2010
The Scars of Stigmata
I had stigmata, well sort of. . .
So I was in this public bathroom and i was washing my hands, and the receptionist from my workplace was also at the adjacent sink washing their hands. In the centre of the palms of my hands I had these horrendous scars that were from being nailed to a cross, they were completely healed, but really gruesome looking, really deep craters in the middle of each palm. They were my dark secret that somehow no-one knew about, despite being large and clearly visible(!) and I was trying to hide them as I washed my hands. I had to wash them very carefully to make sure that I got right into the all the crevices of the wounds, as a result the receptionist from my work noticed them and started questioning me about them. I don't remember what I said in return, if anything, I just remember the feeling of total and utter humiliation that someone had noticed the scars, and knew that I had been crucified.
So I was in this public bathroom and i was washing my hands, and the receptionist from my workplace was also at the adjacent sink washing their hands. In the centre of the palms of my hands I had these horrendous scars that were from being nailed to a cross, they were completely healed, but really gruesome looking, really deep craters in the middle of each palm. They were my dark secret that somehow no-one knew about, despite being large and clearly visible(!) and I was trying to hide them as I washed my hands. I had to wash them very carefully to make sure that I got right into the all the crevices of the wounds, as a result the receptionist from my work noticed them and started questioning me about them. I don't remember what I said in return, if anything, I just remember the feeling of total and utter humiliation that someone had noticed the scars, and knew that I had been crucified.
Monday, September 27, 2010
Sunday, September 19, 2010
Hide & Seek
"Then as part of the game,
She completely forgot where she'd hidden herself,
And she spent the rest of her time,
Trying to find the parts"
I can't stop listening to this, it's amazing. Shatteringly beautiful.
She completely forgot where she'd hidden herself,
And she spent the rest of her time,
Trying to find the parts"
I can't stop listening to this, it's amazing. Shatteringly beautiful.
Thursday, September 16, 2010
Every single word. . .
"No I wont see you later, Go build another castle out of sand"
That's the line that cuts like a knife. . . but every single word quantifies exactly how I feel, all the time.
All of the time. . .
Shadows on the pavement burn a watermark of you,
and every city siren calls your name down every avenue,
I'm falling into contemplation, broken to my knees,
but I need no resolution here though it cuts me at the seams,
I'm still the same,
You're not going to take me down again,
I'm feeling old,
that doesn't mean you can break my soul,
See my youth begin to fade through the eyes of a child,
and I've studied every lesson learned that wiped away my smile,
and I've learned that all your walls are just a cover of a book,
every word a broken promise, every page a heart you took,
Buried like a splinter, rips apart like paper,
That's the line that cuts like a knife. . . but every single word quantifies exactly how I feel, all the time.
All of the time. . .
Shadows on the pavement burn a watermark of you,
and every city siren calls your name down every avenue,
I'm falling into contemplation, broken to my knees,
but I need no resolution here though it cuts me at the seams,
I'm still the same,
You're not going to take me down again,
I'm feeling old,
that doesn't mean you can break my soul,
See my youth begin to fade through the eyes of a child,
and I've studied every lesson learned that wiped away my smile,
and I've learned that all your walls are just a cover of a book,
every word a broken promise, every page a heart you took,
I'm still the same,
You're not going to take me down again,
I'm feeling old,
that doesn't mean you can break my soul,
Buried like a splinter, rips apart like paper,
Blows away like ashes in my hand,
No I won't see you later,
Go build another castle out of sand
. . . . Like ashes in my hand
I'm not drowning in your sea,
Believing in you will not be the death of me,
Not waiting for the curtain drop,
Or waiting for the hurt to stop,
Not drowning in a teardrop,
For your love. .
Break my soul,
Break my soul,
I'm still the same,
You're not going to take me down again,
I'm feeling old,
that doesn't mean you can break my soul,
Subscribe to:
Posts (Atom)
